Monday, February 18, 2013

DVD New-Release Review: Premium Rush




How long can one watch bicycles chasing themselves through honking, downtown Manhattan traffic before one taps out? Well, the results of a recent case study with a sample size of one (me), indicate that its some time less than 85 minutes… or the run time of the alleged chase-action thriller Premium Rush. Indeed, Rush plays more like a high-end, but annoying version of Frogger (you young people may have to look that up) than a serious thriller or even a tongue-in-cheek romp. I’m not quite sure what the makers (David Koepp directing) were shooting for but the film hits no good target firmly.

A “Premium Rush” order is the most deluxe and expensive, double-time bicycle delivery service… if your paying for the “Rush” it means you need to get something across town fast-fast. And if you need it fast, then Wilee (like the coyote – played by Joseph Gordon-Levitt) is your man. For Wilee, being a bike courier is a life style, not just a job. He’s a law-school grad but can’t trade in the bike shorts for the office grind. He’s considered crazy by his crazy colleagues, rides gearless and brakeless, and is, of course, the best in the city.

The film’s silliness starts when Wilee picks up a package from an old law school lady chum. Turns out that the innocent-looking envelope contains a valuable ticket desired greatly by a gambling-addicted and hopelessly in debt cop… and thus the chase begins. Backdropping the scene is a romantic triangle with a glistening female cyclist (Dania Ramirez), Wilee’s bike-courier rival Manny (Wole Parks), and Wilee as the lead. Joined for worse and better with this group, Wilee must outrun the evil cop and work out the mystery of the ticket, all while navigating through the perilous streets of Manhattan on his fast bike with others in hot pursuit.
Gordon-Levitt certainly looks the part here and reportedly did much of his own riding – which looks good. But the bike heads slowly down slope from there. Nobody from the buddy-romance triad seems capable of carrying his or her load with any believability. Gordon-Levitt’s interchanges with Ramirez trend from stiff to awkward (unintentionally). And Ramirez, although looking tough and good in the bike gear, will not be receiving any awards for her acting. More entertaining is Michael Shannon’s play of bad Detective Monday. Regardless of any confusion from the director on where he wanted this film to go, Shannon obviously chose cartoonish for his take on Wilee’s nemesis and he plays it to the hilt. I expected to see Detective Gordon’s eyes bug out of his head on springs and for him to shout “why I oughta…!” each time Wilee slipped from his clutches. Shannon, who has been memorizing in previous efforts like Take Shelter, applies the wacky approach right to the bitter end of the flick and is easily the best component of the film.
Rush employs several gimmicks to try to style up the action. Wilee’s routes to complete his gauntlet are periodically displayed like a Tom-Tom car GPS or a “Real Speed” video-game map help. A digital countdown display lets us know that the intensity of it all should be ramping up. Wilee also has Robert Downey Jr.’s Sherlock Holmes-like perception skills allowing him to estimate the future and optimize his route. How does he do this…? Oh yeah, that’s right, he went to law school so he’s really smart and can speed up his brain time (a la Limitless) to cycle though three or four scenarios before selecting the only one that will get him successfully through to the next level… errrrr, to his delivery target. I was never worried about Wilee failing as I felt like I could reach out and hit the reset button on the Wi if any fatal crashes occurred.  
The action, repeated over an over again with only slight variation and always amid the din of the traffic setting, in Rush gets a bit fatiguing near the end. And the motivation for it all – the ticket, the delivery, the chase etc. is weak and by the end all but moot. Although I’m sure that many will find this film, and its multitude of pop ups, to be a refreshing take on the chase genre; for me, this time, different does not equal good. Rush gets 4 out of 10.